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Hans Memling
The Resurrection with the Martyrdom of st Sebastian and the Ascension a triptych (mk05)
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ID: 20047
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Hans Memling
Netherlandish Northern Renaissance Painter, ca.1435-1494
Born in Seligenstadt, near Frankfurt in the Middle Rhein region, it is believed that Memling served his apprenticeship at Mainz or Cologne, and later worked in the Netherlands under Rogier van der Weyden (c. 1455?C1460). He then went to Bruges around 1465.
There is an apocryphical story that he was a wounded at the Battle of Nancy, sheltered and cured by the Hospitallers at Bruges, and that to show his gratitude he refused payment for a picture he had painted for them. Memling did indeed paint for the Hospitallers, but he painted several pictures for them, in 1479 and 1480, and it is likely that he was known to his patrons of St John, prior to the Battle of Nancy.
Memling is connected with military operations only in a distant sense. His name appears on a list of subscribers to the loan which was raised by Maximilian I of Austria, to defend against hostilities towards France in 1480. In 1477, when he was incorrectly claimed to have been killed, he was under contract to create an altarpiece for the gild-chapel of the booksellers of Bruges. This altarpiece, under the name of the Seven Griefs of Mary, is now in the Gallery of Turin. It is one of the fine creations of his more mature period. It is not inferior in any way to those of 1479 in the hospital of St. John, which for their part are hardly less interesting as illustrative of the master's power than The Last Judgment which can be found since the 1470s in the St. Mary's Church, Gda??sk. Critical opinion has been unanimous in assigning this altarpiece to Memling. This affirms that Memling was a resident and a skilled artist at Bruges in 1473; for the Last Judgment was undoubtedly painted and sold to a merchant at Bruges, who shipped it there on board of a vessel bound to the Mediterranean, which was captured by Danzig privateer Paul Beneke in that very year. This purchase of his pictures by an agent of the Medici demonstrates that he had a considerable reputation. Related Paintings of Hans Memling :. | The Resurrection with the Martyrdom of st Sebastian and the Ascension a triptych (mk05) | Triptych of Jan Floreins | The Last Judgment Triptych | The Virgin and Child with Angels,Saints and Donors | Outer Wings of a Triptych | Related Artists: Amy Philip1788-1865,is a British actress. She is best known for her role as Jessica Arnold in the BBC school drama, Grange Hill, which she acted between 1994 and 1998. In Grange Hill, Amy character was from a middle-class family and was sent to Grange Hill from an exclusive girls school when her father business fell on hard times. She quickly adapted to life at Grange Hill and won a firm following among male fans. In 1996, viewers saw the previously feisty Jessica become bedridden with chronic fatigue syndrome (or M.E. as the condition was then popularly known). Simcock appeared in just the first four episodes of the 1996 series, with Jessica sent to the USA to recuperate. Despite returning to Grange Hill as an integral part of the 1997 series, where Jessica would cause a stir as editor of the school magazine, Simcock appeared in just two episodes of the 1998 series, the explanation being that Jessica had left Grange Hill in favour of sixth form college. In September 1997, Simcock appeared in the CITV comedy drama Knight School as Lady Elizabeth de Gossard, having now changed her professional name to Amy Phillips. Post-Grange Hill, Phillips has continued to make regular occasional appearances in various TV shows, the most notable being as Beth Partridge in the BBC series Rescue Me. She has also appeared in the Hollywood movie The Freediver. Samuel ProutEnglish Painter, 1783-1852
was an English water-colour painter. He was born at Plymouth, and spent whole summer days, in company with Benjamin Haydon, drawing the quiet cottages, rustic bridges and romantic watermills of the beautiful valleys of Devon. He made a journey through Cornwall to try his hand in furnishing sketches for Britton's Beauties of England. In 1803 he moved to London, where he stayed until 1812. In London, Prout saw new possibilities, and endeavoured to correct and improve his style by studying the works of the rising school of landscape. To earn a living, he painted marine pieces for Palser the printseller, took students, and published drawing books for learners. He was one of the first to use lithography in his artwork. It was not however until about 1818 that Prout discovered his niche. Happening time to make his first visit to the Continent, and to study the quaint streets and market-places of continental cities, he suddenly found himself in a new and enchanting province of art. His eye caught the picturesque features of the architecture, and his hand recorded them with skill. The composition of his drawings was exquisitely natural; their colour exhibited "the truest and happiest association in sun and shade"; the picturesque remnants of ancient architecture were rendered with the happiest breadth and largeness, with the heartiest perception and enjoyment of their time-worn ruggedness Anonymousunknow artist
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